Layers of paper build an uneven surface. The boat, torn from the original image and reattached, crosses a milled sea: a passage that leaves behind a trace, matter and memory.

The pier of Forte dei Marmi cuts across a dark, stormy sea. Garuda combines three layers of imagery — colour, black and white, and offset four-colour printing — which, broken apart by the tears, create a work where reality and abstraction intertwine, transforming the force of the sea into an intense and dynamic visual experience.

Four layers of blur, torn and superimposed, reconstruct the landscape. The pier comes into focus at the centre as the sea dissolves: the tear marks the boundary between clarity and disorientation.

Photographed above the Carrara marble quarries, this work creates a tension between the dominant white of the marble and the red of the underlying panel. The tears interrupt the image, revealing sharp, physical fractures that cut across the landscape and intensify the contrast between surface, material and colour.

Image of an olive grove exploring the relationship between intact vegetation and areas affected by fire. The hand-torn interventions disrupt the continuity of the composition, alternately revealing the green olive trees and the burnt ones.

A Carrara marble quarry, photographed from directly above, is split by a tear that reveals the red of the underlying panel, painted in acrylic. Between the white marble and the shadows of the excavations, colour emerges like an inner force, opening the landscape to a new interpretation.

Three layers of the same image — one in black and white, one in color, and one with an RGB shift — are superimposed and connected through torn sections. The tears interrupt the continuity of the image, allowing different readings of the same landscape to emerge at once.

An aerial view of a temporary islet at the mouth of the Serchio River: the photograph, mounted on a red board and then torn, reveals the color beneath. The physical fracture of the work reflects the fragility and instability of the landscape it depicts.

Two images of an olive grove, layered, torn and partially burned, reveal the red-painted board beneath. The color emerges like an arterial system running through the landscape.

Taken above the quarries of Carrara, this work creates a tension between the dominant white of the stone and the red of the board beneath it. The tear interrupts the image and reveals a sharp, physical fracture that makes the contrast even more striking.

Lido di Camaiore’s pier is rebuilt through colour and monochrome photos, CMYK and black-and-white halftones, and an enlarged detail. Torn, overlapping layers disrupt the continuity of the image.

A landscape at two contrasting moments in time. The identical viewpoint makes the difference between the two conditions even more apparent. The torn layers do more than superimpose images: they bring two seasons and two ways of inhabiting the space into dialogue.

The sea becomes emotional matter. Torn and layered, it holds both calm and storm, balancing between harmony and disruption.

A boat crosses the sea, leaving a trace between reality and memory. Torn layers create tension between water and sand, while the tear introduces movement and instability.

Three layers of torn aerial photography bring boats, umbrellas, and clouds into a fragile balance between visual order and material gesture. The view from above becomes rhythm, fracture, and suspension.

The work is built around a simple form: the circle. A tear opens the surface, revealing the pine grove within. Overlapping layers create depth and push the image toward abstraction.

The ancient structure reappears through layered aerial images. Tears gradually reveal its oval shape, emphasizing its lasting presence.

Born from a moment of creative standstill, this work carries strong inner tension. Beneath the surface, Dante appears as a poetic trace. Clouds tear open, revealing the forest in a movement of release.

A parking lot and an industrial truck area merge into one image. Repetition and grid transform functional space into an abstract pattern.

Sea, beach and seaside architecture are crossed by fractures that disrupt the spatial order, creating a vision that is both precise and unstable. In this work, the smaller format accentuates the rupture, while touches of gilding bring a contemporary visual language into dialogue with a more classical sensibility.

Boats lose their function and become visual signs. The composition shifts between order and fragmentation, turning the harbor into graphic language.

The aerial photograph of the Guang Rong, stranded against the pier in Marina di Massa, is transformed into a composition of torn layers that both fragment and preserve the memory of the event.

A fragmented reconstruction of the beach. Modular elements are interrupted by tears, creating a shifting visual surface.

Eight layers of torn photography explore a central tension: maintaining order within fracture. The city emerges in fragments, becoming an almost painterly structure.

Four layers build a structured image of symmetry and depth. The tear interrupts stability, introducing tension between order and chaos.

Photographed in 2012 from above, this work marks a turning point: landscape becomes vision. Today it survives as the trace of a lost moment.

The cuts in the image echo those in the mountain. Natural and human interventions reflect each other in a sharp visual tension.

The city is reinterpreted through layered images. Tears redraw the urban fabric into a new, unstable visual map.

The beach becomes a chromatic mosaic. Red, green, and blue define three layers, three spaces, merged into one image.

A field where chaos and order coexist. People, colors, and sand form a spontaneous, energetic composition.

A more structured variation. Geometry defines order, while tears introduce tension and instability.

Strict diagonal rows of umbrellas are disrupted by tears. The calm of the sea contrasts with the geometric order.

A vertical composition where the central black-and-white area draws the eye inward, creating a strong visual and mental focal point.