The sea becomes emotional matter. Torn and layered, it holds both calm and storm, balancing between harmony and disruption.

Four layers of torn aerial photography bring boats, umbrellas, and clouds into a fragile balance between visual order and material gesture. The view from above becomes rhythm, fracture, and suspension.

The work is built around a simple form: the circle. A tear opens the surface, revealing the pine grove within. Overlapping layers create depth and push the image toward abstraction.

A boat crosses the sea, leaving a trace between reality and memory. Torn layers create tension between water and sand, while the tear introduces movement and instability.

A parking lot and an industrial truck area merge into one image. Repetition and grid transform functional space into an abstract pattern.

Born from a moment of creative standstill, this work carries strong inner tension. Beneath the surface, Dante appears as a poetic trace. Clouds tear open, revealing the forest in a movement of release.

The sea becomes emotional matter. Torn and layered, it holds both calm and storm, balancing between harmony and disruption.

The ancient structure reappears through layered aerial images. Tears gradually reveal its oval shape, emphasizing its lasting presence.

Boats lose their function and become visual signs. The composition shifts between order and fragmentation, turning the harbor into graphic language.

Lo scatto aereo della nave Guang Rong, incagliata sul pontile di Marina di Massa, viene trasformato in una costruzione di livelli strappati che frammentano e preservano insieme la memoria dell’evento.

Four layers build a structured image of symmetry and depth. The tear interrupts stability, introducing tension between order and chaos.

A vertical composition where the central black-and-white area draws the eye inward, creating a strong visual and mental focal point.

The city is reinterpreted through layered images. Tears redraw the urban fabric into a new, unstable visual map.

Photographed in 2012 from above, this work marks a turning point: landscape becomes vision. Today it survives as the trace of a lost moment.

The beach becomes a chromatic mosaic. Red, green, and blue define three layers, three spaces, merged into one image.

Strict diagonal rows of umbrellas are disrupted by tears. The calm of the sea contrasts with the geometric order.

A field where chaos and order coexist. People, colors, and sand form a spontaneous, energetic composition.

A fragmented reconstruction of the beach. Modular elements are interrupted by tears, creating a shifting visual surface.

A more structured variation. Geometry defines order, while tears introduce tension and instability.

Eight layers of torn photography explore a central tension: maintaining order within fracture. The city emerges in fragments, becoming an almost painterly structure.

Four layers build a structured image of symmetry and depth. The tear interrupts stability, introducing tension between order and chaos.

An aerial view of a temporary islet at the mouth of the Serchio River: the photograph, mounted on a red board and then torn, reveals the color beneath. The physical fracture of the work reflects the fragility and instability of the landscape it depicts.

Taken above the quarries of Carrara, this work creates a tension between the dominant white of the stone and the red of the board beneath it. The tear interrupts the image and reveals a sharp, physical fracture that makes the contrast even more striking.

The cuts in the image echo those in the mountain. Natural and human interventions reflect each other in a sharp visual tension.