The ancient structure reappears through layered aerial images. Tears gradually reveal its oval shape, emphasizing its lasting presence.

The work is built around a simple form: the circle. A tear opens the surface, revealing the pine grove within. Overlapping layers create depth and push the image toward abstraction.

The pier of Forte dei Marmi cuts across a dark, stormy sea. Garuda combines three layers of imagery — colour, black and white, and offset four-colour printing — which, broken apart by the tears, create a work where reality and abstraction intertwine, transforming the force of the sea into an intense and dynamic visual experience.

Taken above the quarries of Carrara, this work creates a tension between the dominant white of the stone and the red of the board beneath it. The tear interrupts the image and reveals a sharp, physical fracture that makes the contrast even more striking.

Four layers build a structured image of symmetry and depth. The tear interrupts stability, introducing tension between order and chaos.

The beach becomes a chromatic mosaic. Red, green, and blue define three layers, three spaces, merged into one image.

A vertical composition where the central black-and-white area draws the eye inward, creating a strong visual and mental focal point.

A fragmented reconstruction of the beach. Modular elements are interrupted by tears, creating a shifting visual surface.

Two images of an olive grove, layered, torn and partially burned, reveal the red-painted board beneath. The color emerges like an arterial system running through the landscape.

A more structured variation. Geometry defines order, while tears introduce tension and instability.

Image of an olive grove exploring the relationship between intact vegetation and areas affected by fire. The hand-torn interventions disrupt the continuity of the composition, alternately revealing the green olive trees and the burnt ones.

Three layers of the same image — one in black and white, one in color, and one with an RGB shift — are superimposed and connected through torn sections. The tears interrupt the continuity of the image, allowing different readings of the same landscape to emerge at once.

The cuts in the image echo those in the mountain. Natural and human interventions reflect each other in a sharp visual tension.

The sea becomes emotional matter. Torn and layered, it holds both calm and storm, balancing between harmony and disruption.

Photographed in 2012 from above, this work marks a turning point: landscape becomes vision. Today it survives as the trace of a lost moment.

Boats lose their function and become visual signs. The composition shifts between order and fragmentation, turning the harbor into graphic language.

A field where chaos and order coexist. People, colors, and sand form a spontaneous, energetic composition.

Three layers of torn aerial photography bring boats, umbrellas, and clouds into a fragile balance between visual order and material gesture. The view from above becomes rhythm, fracture, and suspension.

A boat crosses the sea, leaving a trace between reality and memory. Torn layers create tension between water and sand, while the tear introduces movement and instability.

Four layers build a structured image of symmetry and depth. The tear interrupts stability, introducing tension between order and chaos.

Eight layers of torn photography explore a central tension: maintaining order within fracture. The city emerges in fragments, becoming an almost painterly structure.

The city is reinterpreted through layered images. Tears redraw the urban fabric into a new, unstable visual map.

A parking lot and an industrial truck area merge into one image. Repetition and grid transform functional space into an abstract pattern.

Born from a moment of creative standstill, this work carries strong inner tension. Beneath the surface, Dante appears as a poetic trace. Clouds tear open, revealing the forest in a movement of release.

Lo scatto aereo della nave Guang Rong, incagliata sul pontile di Marina di Massa, viene trasformato in una costruzione di livelli strappati che frammentano e preservano insieme la memoria dell’evento.